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	<title>Comments for Regular Gonzalez</title>
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	<link>http://regulargonzalez.com</link>
	<description>Music for thinking people and other conscious things</description>
	<lastBuildDate>Mon, 07 Nov 2011 20:20:37 +0000</lastBuildDate>
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		<title>Comment on The Swear Jar by regulargonzalez</title>
		<link>http://regulargonzalez.com/2011/11/07/the-swear-jar/#comment-47</link>
		<dc:creator>regulargonzalez</dc:creator>
		<pubDate>Mon, 07 Nov 2011 20:20:37 +0000</pubDate>
		<guid isPermaLink="false">http://regulargonzalez.com/?p=41#comment-47</guid>
		<description>My thoughts on this album upon listening to it 4+ years later...

Sideshow: I&#039;m not sure I realized it at the time because I recall being pretty drunk when I recorded this song, but this is obviously a The Knife style parody.

Falling: I used to have such a lovely falsetto. Oh puberty, what hath thou wrought? Anyhow, I was a smoker back then so I think my voice was a bit wobbly on this album in general.

Sushi for Slave Girls: I&#039;ve always loved this song. This was the first recording I made with my first real electric guitar, the Schechter Diamond Series. Coming from an acoustic guitar background, I really had no idea what I was doing so I just pressed the distortion button on the amp and went to town. The name came from some random conversation in a car.

Drinking While We Sing: My tongue-in-cheek attempt at an irish drinking song, featuring a newly purchased bhodran drum. This song taught me about the conundrum of having your friends impersonate drunken bar singers. If they don&#039;t drink, they may not sound drunk. If they drink, they may not remember the words. Still a fun little ditty.

A Case of You: I think this is what would happen if Matthew Sweet joined Fountains of Wayne. Not a bad pop song.

Canto Ergo Sum: I don&#039;t like the piano sound on this. I would have preferred a live piano but I didn&#039;t have access to one at the time. I should re-do this with live instruments.

Anticrunk Superstar: My old buddy Chris subbed in on this one. The loop is sampled from Bela Fleck&#039;s classical music album. The beats and synths were all done on the Triton.

Everything I Know About Vikings: My vocals are a bit strained here, but I&#039;m happy with the piano -- kinda like an 80&#039;s version of Ben Folds Five maybe? I wish it was live, once again, but I think the drums hold up well for being finger-tapped on the Triton.

In French: This is me at my most poetic and tender. I think it speaks for itself.

Unified String Theory: This was the last song and I really wish I had more time to work on it. It has tempo and note errors and I wanted to make it longer. Oh well.

Final thoughts: As my first real album, made mostly by myself in my bedroom after work, it&#039;s not bad. The next one will be better, especially since it will be recorded on better hardware in my new home studio.</description>
		<content:encoded><![CDATA[<p>My thoughts on this album upon listening to it 4+ years later&#8230;</p>
<p>Sideshow: I&#8217;m not sure I realized it at the time because I recall being pretty drunk when I recorded this song, but this is obviously a The Knife style parody.</p>
<p>Falling: I used to have such a lovely falsetto. Oh puberty, what hath thou wrought? Anyhow, I was a smoker back then so I think my voice was a bit wobbly on this album in general.</p>
<p>Sushi for Slave Girls: I&#8217;ve always loved this song. This was the first recording I made with my first real electric guitar, the Schechter Diamond Series. Coming from an acoustic guitar background, I really had no idea what I was doing so I just pressed the distortion button on the amp and went to town. The name came from some random conversation in a car.</p>
<p>Drinking While We Sing: My tongue-in-cheek attempt at an irish drinking song, featuring a newly purchased bhodran drum. This song taught me about the conundrum of having your friends impersonate drunken bar singers. If they don&#8217;t drink, they may not sound drunk. If they drink, they may not remember the words. Still a fun little ditty.</p>
<p>A Case of You: I think this is what would happen if Matthew Sweet joined Fountains of Wayne. Not a bad pop song.</p>
<p>Canto Ergo Sum: I don&#8217;t like the piano sound on this. I would have preferred a live piano but I didn&#8217;t have access to one at the time. I should re-do this with live instruments.</p>
<p>Anticrunk Superstar: My old buddy Chris subbed in on this one. The loop is sampled from Bela Fleck&#8217;s classical music album. The beats and synths were all done on the Triton.</p>
<p>Everything I Know About Vikings: My vocals are a bit strained here, but I&#8217;m happy with the piano &#8212; kinda like an 80&#8242;s version of Ben Folds Five maybe? I wish it was live, once again, but I think the drums hold up well for being finger-tapped on the Triton.</p>
<p>In French: This is me at my most poetic and tender. I think it speaks for itself.</p>
<p>Unified String Theory: This was the last song and I really wish I had more time to work on it. It has tempo and note errors and I wanted to make it longer. Oh well.</p>
<p>Final thoughts: As my first real album, made mostly by myself in my bedroom after work, it&#8217;s not bad. The next one will be better, especially since it will be recorded on better hardware in my new home studio.</p>
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		<title>Comment on The Creep Podcast Episode 3 featuring Regular Gonzalez by weight</title>
		<link>http://regulargonzalez.com/2010/09/24/hello-world/#comment-3</link>
		<dc:creator>weight</dc:creator>
		<pubDate>Tue, 05 Oct 2010 10:01:37 +0000</pubDate>
		<guid isPermaLink="false">http://regulargonzalez.com/?p=1#comment-3</guid>
		<description>i see what you did there</description>
		<content:encoded><![CDATA[<p>i see what you did there</p>
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